Arts

"Inspired by true events" — a phrase that implies the greatest possible distance between something that actually happened and what's about to happen on screen — Snitch tries to be two movies at once.

It's hard to imagine an upside to the civil war now causing unspeakable suffering in Syria. But the conflict has turned out to be a break for the makers of Inescapable, a feverish political thriller written and directed by Ruba Nadda, a Canadian of Syrian origin whose last film was the languorous 2009 romance Cairo Time.

You might know him best as Ray, the self-centered, arrogant coffeehouse manager from Lena Dunham's Girls. Or as Jed, the self-centered, arrogant date from Lena Dunham's Tiny Furniture.

But in two features out this week, Alex Karpovsky is much more than that: He's the psychotic obsessive Paul in the psychological thriller Rubberneck, and an anxious filmmaker named ... well, Alex Karpovsky, in the road comedy Red Flag.

And yes, there's may be some self-centered arrogance to those characters as well.

What happens when we die? Wouldn't we all like to know. We can't bring people back from the dead to tell us — but in some cases, we almost can. Resuscitation medicine is now sometimes capable of reviving people after their heart has stopped beating and their brain has flat-lined; Dr. Sam Parnia, a critical care doctor and director of resuscitation research at the Stony Brook University School of Medicine, studies what these people experience in that period after their heart stops and before they're resuscitated. This includes visions such as bright lights and out-of-body experiences.

I don't have a good track record when it comes to raving about Karen Russell. Last year, along with my two fellow judges, I nominated Russell's novel, Swamplandia!, as well as two other finalists, for the Pulitzer Prize. Result? The Pulitzer Board made headlines by deciding not to give out the award in Fiction. Nevertheless, I rave on: this time about Russell's new short story collection, Vampires in the Lemon Grove.

Fresh produce has never been hipper.

Chris Morgan Jones' latest espionage novel, The Jackal's Share, makes a reader appreciate the attractions of simplicity. There aren't any glitzy tricks here: no over-the-top villains or weapons arsenals; no le Carre-like meditations on the existential identity of the spy.