This undated publicity photo provided by Merchant Ivory Productions shows Oscar-winning screenwriter and award-winning novelist Ruth Prawer Jhabvala (center) with film director and producer Ismail Merchant (left) and director James Ivory in a studio. Jhabvala, 85, died in New York on Wednesday.
Ruth Prawer Jhabvala, the Oscar-winning screenwriter and Booker Prize-winning novelist, has died at her home in New York. She was 85.
NPR's Bob Mondello reported on her career for NPR's Newscast Desk:
"With the films of Merchant/Ivory, you tend to think first of period-perfect costumes and settings, but it was Ruth Prawer Jhabvala's scripts that gave them substance. She was witty, cultivated and could be wonderfully precise about class and propriety in her adaptations of, say, E.M. Forster.
The middle-income housing projects Stuyvesant Town and Peter Cooper Village sit on an 80-acre patch of Lower Manhattan. In 2006, they came to epitomize the lunatic excess of the housing boom when their 11,232 apartments sold for $5.4 billion. They were bought at a competitive auction by Tishman Speyer Properties and BlackRock Realty.
This is TELL ME MORE from NPR News. I'm Michel Martin. Coming up, the New York African Film Festival is getting under way. The festival is in its 20th year now, so we're going to talk about the stories being told by a new generation of African filmmakers. That's coming up.
Try to put him in a box and he'll find his way out. Still working at nearly 85 years old, William Klein has gone rogue in at least four different fields: abstract painting, photography, filmmaking and commercial copy writing.
Klein now lives in Paris but I caught up with him in New York City — the place where he was born, but no longer has much affinity for. He's just here to promote a new book, William Klein ABC.
When I ask him what he thinks about the city, he says:
In 1846, Edgar Allan Poe wrote a famous essay called "The Philosophy of Composition," in which he sounds like an interior decorator. I say that because in the essay, Poe insists that all good writing must strive for what he calls "unity of effect." For Poe, it was important that everything in his short stories — characters, setting, narration — add up to one big "color-me-terrified" impact.
Why do we imprison people who are addicted to illegal drugs instead of treating them for their addiction? That question is at the heart of David Sheff's new book Clean: Overcoming Addiction and Ending America's Greatest Tragedy. It reports the latest medical and scientific research about addiction and recovery, which, Sheff says, shows that drug addicts are gravely ill, afflicted with a chronic, progressive and often terminal disease.
We won't give away any of the details about his personal life, but we can say that the two-hour season premiere of Mad Men shows Don Draper (Jon Hamm, right, with John Slattery's Roger Sterling) as his silver tongue fails him.
For decades, when broadcast television called the shots and dominated the TV landscape, the biggest event of the year was "the fall season," when networks would unveil their new shows and return with fresh episodes of old favorites. But now, because of cable and satellite TV, the fall season isn't the only game in town.